Davidde Penitente
Wolfgang Amadeus Mozart
8 octubre 2015 · 20.00 h
Auditori
Auditori
Concierto conmemorativo del X aniversario de la inauguración del Palau de les Arts Reina Sofía.
I
Wolfgang Amadeus Mozart
Davidde Penitente
Jessica Pratt, soprano
Manuela Custer, mezzosoprano
Antonino Siragusa, tenor
II
Wolfgang Amadeus Mozart
Sinfonía 31, “París”
Orquestra de la Comunitat Valenciana
Fabio Biondi, director
Primigenia colaboración entre Wolfgang Amadeus Mozart y Lorenzo da Ponte, la cantata de raigambre religiosa Davidde Penitente, KV 469, no se estructura a partir de un argumento planteado y desarrollado a lo largo de sus diez números, sino que se inspira en textos extraídos del bíblico Libro de Samuel, servidos en versos de diverso metro y rima. Da Ponte evita, de este modo, la reproducción literal de los textos del Antiguo Testamento, que sin embargo extrae y descontextualiza convenientemente a fin de presentar un diálogo abstracto entre el ente superior y el ser racional, Dios y el contrito David. Para ello, renuncia a su redacción en la lengua vehicular de la religión, el latín, y usa la lengua de la lírica, el italiano, con lo que despliega para Mozart un amplio abanico de afectos y pasiones, de calma y tempestad, perfectamente conectados con el espíritu prerrevolucionario y prerromántico, sin renuncia aparente a los gestos del barroco tardío.
Davidde Penitente refleja el complejo momento espiritual que vive el hombre en 1785, muy pocos años antes de la Revolución francesa de 1789. Un ser humano que vive a caballo entre el Antiguo Régimen y el racionalismo del Siglo de las Luces, que asiste a un nuevo diálogo entre un dios y un hombre, en el que incluso se cuestionará al objeto divino en favor de la razón humana. Simbólicamente, quizá, el Davidde Penitente se construye a partir del material musical de la preexistente Gran Misa en Do menor, KV 427.
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